My approach is both documentary and poetic, balancing raw observation with precise compositions. My images oscillate between an almost architectural frontality and lively scenes where humans naturally blend into the space. I capture what unfolds, without artifice, paying close attention to details, atmospheres, and the traces left by time. My gaze moves freely between the ordinary and the extraordinary, without hierarchy. I seek to reveal what happens at the boundary between space and those who inhabit it. I document places in transition, in-between moments, and the imprints of human presence within the environment. People are often there, discreet, occupying space without pretense—sometimes tiny against the vastness of a city or a landscape, sometimes strikingly present in the frame. What interests me is the tension between abandonment and resilience, between solitude and collective imprint. There is always a sense of wandering. I photograph to hold onto these impressions, to offer another way of seeing, to slow down the gaze.